Ableton Live 11 Suite 11.3.26 HCiSO [MacOSX]（6.23Gb）

TEAM HCiSO | 29 August 2024 | U2B : 3.23 GB | iNTEL : 3.00 GB

HCiSO版安装方法：

1、解压打开镜像后直接拖入APP完成安装

2、导入镜像里的 .auz 离线证书完成激活

3、关闭软件内的自动更新功能

PS：Intel安装Intel版本，M1可安装USB版本。

Ableton Live 是一款快速、流畅且灵活的软件音乐音序器和数字音频工作站，可用于音乐创作和表演。它配备了效果、乐器、声音和各种创意功能——制作任何类型音乐所需的一切。

在 Live 的 Session View 中，您可以以传统的线性编排进行创作，也可以不受时间线的限制进行即兴创作。在音乐元素之间自由移动并发挥创意，无需停止音乐，也不会打断您的流程。

→ Live 11 中的所有新功能和更新：

Comping
Live 将音频或 MIDI 表演的多个过程组织成单独的片段。将多个片段中最好的部分组合起来，或者找到有创意的新组合。

链接轨道编辑
链接两个或多个音频或 MIDI 轨道以同时编辑或压缩其内容。MPE

兼容性
为和弦中的每个音符添加弯音、滑音和压力。添加微妙的表情变化，在和弦之间变形并创建不断变化的声音纹理。

表情视图
直接在 Clip Detail View 的新选项卡中添加和编辑单个音符的音高、音色和压力变化。

支持 MPE 的本机设备
Wavetable、采样器和琶音器现在支持 MPE。使用 Push 的打击垫压力来控制每个音符的参数。

混合混响
结合了卷积和算法混响，可以创建任何空间，从准确的真实环境到违背物理现实的环境。

频谱谐振器
将传入音频信号的频谱分解为部分，然后以微妙或彻底的方式通过频率或音符对结果进行拉伸、移动和模糊。像使用 MIDI 的乐器一样演奏它。

频谱时间
将声音转换为部分并将它们输入基于频率的延迟，从而产生金属回声、频移和类似混响的效果。冻结功能可捕捉并保持音频。

灵感来自大自然
六种有趣的乐器和效果，以自然和物理过程为灵感。与 Dillon Bastan 合作创作。

PitchLoop89
基于早期的数字效果处理器，该设备可创建抖动故障效果、延迟数字闪烁和异乎寻常的颤音，从而为工作室或舞台上的声音增添特色。与 Robert Henke 合作创建。

合唱团
Chorus 的更新版本现在具有更广泛的声音塑造功能 – 添加颤音、将信号的左右声道扩展到立体声场，并添加厚重的 3 延迟线合唱。Redux Redux 添加了来自老式数字设备的更广泛的声音，包括刺耳的失真、数字和混叠伪影，以及温暖和饱和的 8 位纹理。

Phaser-Flanger
Phaser 和 Flanger 已合并，现在具有新的、更加丰富的声音，频率和调制范围增加，现有模式的表现力改进，以及用于短暂可调节延迟的新 Doubler 模式。

宏变化
存储宏的状态以供以后调用 – 这是一种快速创建声音即时变化或在表演期间建立和下降的方法。

灵活的宏配置
设置您的机架以拥有 1 到 16 个宏。

随机化的宏值
随机化您的宏的状态或将随机化按钮映射到 MIDI。

节奏跟随
Live 会实时监听并根据传入的音频调整节奏，使其成为乐队的动态部分，而不是每个人都必须跟随的节奏源。

音符机会
设置音符或鼓点发生的概率，让 Live 为您的模式生成随时间变化的令人惊讶的变化。

速度机会
定义速度概率的范围，以实现模式动态中微妙、人性化的变化。

跟随动作
Live 11 添加了场景跟随动作以不断发展的安排。跟随操作现在可以跳转到特定剪辑，并全局启用和禁用跟随操作。

语音盒
来自多个声音的当代人声样本的综合集合、一组可演奏的声乐乐器和专为人声处理设计的效果架。

情绪卷轴
令人回味的分层乐器，将有机和合成声音与纹理元素相结合，为作品增添情绪、空间和动感。

无人机实验室
持续的音调和纹理样本、生成噪音、多采样乐器以及专为实验设计的设备和效果架。

直立钢琴
直立钢琴经过近距离录制，给人一种亲密的感觉——这种经典声音适用于多种音乐风格。与 Spitfire Audio 合作创作。

铜管四重奏
这种乐器凸显了铜管四重奏的自然气息、表现力范围和宽广的音调。与 Spitfire Audio 合作创作。

弦乐四重奏
两把小提琴、中提琴和大提琴的组合声音非常亲密，也是声音探索的绝佳起点。与 Spitfire Audio 合作创作。

更新的核心库
Live 的核心库经过扩展，重点关注当代音乐制作，包括新的鼓组、乐器架、音频效果架、凹槽、循环和 MIDI 剪辑。此外，改进的浏览功能使声音更容易找到。

更新 AAS 乐器界面
所有与 Applied Acoustic Systems 合作制作的乐器的用户界面均已更新。

更新的 Packs
Drum Booth 具有新的 MIDI 鼓库和混音预设。大钢琴和电子键盘现在配备了 MIDI 乐句、乐句和和弦。Chop and Swing、Skitter and Step、Drive and Glow 中添加了 MIDI 鼓槽和乐器部分。

改进的剪辑编辑
同时编辑多个剪辑的循环，聚焦于上下文中的单个剪辑，并轻松地从一个钢琴卷转调整个编曲。

改进的剪辑细节视图
音符参数、跟随动作、包络和 MPE 的新选项卡提供了对剪辑参数和属性的更清晰的概览和访问。

改进的 CPU 计量
更新的主显示现在可以显示当前和平均 CPU 使用率，此外每个轨道的 CPU 计量表显示一组中哪些轨道使用了最多的处理能力。

键和音阶
直接在 Live 的 MIDI 编辑器中使用音阶作为指南或参考——这与 Push 相连，可以根据剪辑进行更改。

新设备的可视化
在 Push 的彩色显示屏上查看混合混响、频谱谐振器和频谱时间中关键参数的可视化，并直接从硬件上控制它们。

键和音阶同步
Live 11 中的键和音阶功能与 Push 相连，可根据剪辑进行更改。

复音触后支持
使用波表、采样器、琶音器和支持的 VST 时，对各个音符应用不同级别的触后，以在 Push 上获得更细致入微、更动感的演奏。

查看最多 16 个宏
在 Live 11 中，从包含宏 1-8 的机架页面后的第二页访问宏 9-16。映射超过 8 个宏后，第二页会自动出现。

新的 API 添加
重新设计的、与 MPE 兼容的音符 API 使 Max for Live 能够访问 Live 11 的新音符功能：概率、速度偏差和释放速度。您现在还可以访问在 Simpler 中加载的样本切片、剪辑或样本的扭曲标记等等。

MIDI 通道路由
现在可以将 MIDI 路由到 Max for Live 音频效果和乐器。输入和输出是可路由的，并显示在轨道的 MIDI From 和 MIDI To 选择器中。

设备创建者的改进
新的 live.scope 对象将示波器添加到对象库中。双击 Max Console 中的错误会将光标跳转到导致错误的设备。检查器窗口中的新 Max for Live 类别允许开发人员更清楚地指示他们的设备可以在哪些系统上使用，等等。

性能改进
Max for Live 用户界面集成的全面改进意味着使用 Max for Live 设备时获得更流畅的体验，包括焦点、定位、滚动行为和性能的改进。

Live 11 发行说明

支持的操作系统：
• macOS 10.14 或更高版本
• Apple Silicon 或 Intel Core 处理器

Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

→ All new features and updates in Live 11:

Comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Combine the best of many takes or find creative new combinations.

Linked-track editing
Link two or more audio or MIDI tracks to edit or comp their content simultaneously.

MPE compatibility
Add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

Expression View
Add and edit pitch, timbre and pressure variations of individual notes directly in a new tab in the Clip Detail View.

MPE-capable native devices
Wavetable, Sampler and Arpeggiator now support MPE. Use Push’s pad pressure to control parameters per note.

Hybrid Reverb
Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Play it like an instrument with MIDI.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds audio.

Inspired by Nature
Six playful instruments and effects that use natural and physical processes as their inspiration. Created in collaboration with Dillon Bastan.

PitchLoop89
Based on an early digital effects processor, this device creates jittery glitch effects, delayed digital shimmers and outlandish vibrato to add character to sounds in the studio or onstage. Created in collaboration with Robert Henke.

Chorus-Ensemble
The updated version of Chorus now has a wider range of sound shaping capabilities – add vibrato, spread the left and right channels of the signal across the stereo field, and add thick 3-delay line chorus.

Redux
Redux adds a wider range of sounds from vintage digital gear including harsh distortion, digital and aliasing artifacts, as well as warm and saturated 8-bit textures.

Phaser-Flanger
Phaser and Flanger have been combined and now feature a new, lusher sound with increased frequency and modulation ranges, expressive improvements on existing modes, and a new Doubler mode for short modulatable delay.

Macro Variations
Store the state of Macros for later recall – this is a fast way to create instant variations to sounds, or builds and drops during a performance.

Flexible Macro Configuration
Set your Racks up to have between 1 and 16 Macros.

Randomized Macro values
Randomize the state of your Macros or map the randomization button to MIDI.

Tempo following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow.

Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Follow Actions
Live 11 adds Scene Follow Actions for evolving arrangements. Follow Actions can now jump to specific clips and enable and disable Follow Actions globally.

Voice Box
A comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing.

Mood Reel
Evocative layered instruments that combine organic and synthetic sounds with textural elements to add mood, space and movement to productions.

Drone Lab
Sustained tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation.

Upright Piano
Upright Piano is close-recorded for an intimate feel – a classic sound that is at home in many styles of music. Created in collaboration with Spitfire Audio.

Brass Quartet
This instrument highlights the natural breathiness, range of expression and broad tonality of the brass quartet. Created in collaboration with Spitfire Audio.

String Quartet
This combination of two violins, viola and cello has a sound that is immediately intimate, and is also a great starting point for sonic exploration. Created in collaboration with Spitfire Audio.

Updated Core Library
Live’s Core Library is expanded with a focus on contemporary music production, including new drum kits, Instrument Racks, Audio Effect Racks, Grooves, loops and MIDI clips. Plus, improved browsing makes sounds easier to find.

Updates to AAS instrument interfaces
The user interfaces of all instruments made in collaboration with Applied Acoustic Systems have been updated.

Updated Packs
Drum Booth features a new MIDI drum library and mix-ready presets. Grand Piano and Electric Keyboards now come with MIDI licks, phrases and progressions. MIDI drum grooves and instrumental parts have been added to Chop and Swing, Skitter and Step, Drive and Glow.

Refined clip editing
Edit loops of multiple clips simultaneously, focus on a single clip in context and easily transpose entire arrangements from one piano roll.

Improved Clip Detail View
New tabs for Note Parameters, Follow Actions, Envelopes and MPE provide a clearer overview of and access to parameters and properties of a Clip.

Improved CPU metering
An updated master display can now show current and average CPU usage, plus per-track CPU meters show which tracks in a set use the most processing power.

Keys and scales
Use scales directly in Live’s MIDI editor as a guide or reference – this is linked to Push, and can be changed per clip.

Visualizations for new devices
See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push’s color display and control them directly from the hardware.

Key and Scale sync
The Key and Scale feature in Live 11 is linked to Push and can be changed per clip.

Polyphonic aftertouch support
Apply different levels of aftertouch to individual notes when using Wavetable, Sampler, Arpeggiator and supported VSTs for more nuanced and dynamic performances on Push.

See up to 16 Macros
In Live 11, access Macros 9-16 from a second page after the Rack page with Macros 1-8. The second page appears automatically once you map more than eight Macros.

New API additions
A redesigned, MPE-compatible note API gives Max for Live access to Live 11’s new note features: probability, velocity deviation, and release velocity. You can also now access slices of a sample loaded in Simpler, a clip or sample’s warp markers, and much more.

MIDI Channel Routings
It is now possible to route MIDI to and from Max for Live audio effects and instruments. Inputs and outputs are routable and show up in a track’s MIDI From and MIDI To choosers.

Improvements for Device creators
A new live.scope object adds an oscilloscope to the object library. Double-clicking an error in the Max Console jumps the cursor to the device causing the error. A new Max for Live category in the Inspector Window allows developers to more clearly indicate which systems their devices can be used on, and much more.

Performance improvements
A complete overhaul of Max for Live’s user interface integration means a smoother experience when working with Max for Live devices, including improvements to focus, positioning, scrolling behaviour, and performance.

Live 11 Release Notes

Supported Operation System:
• macOS 10.14 or later
• Apple Silicon or Intel Core processor

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