Ableton Live 12 Suite v12.1+安装方法 [WiN, MacOSX]（4.29GB+2.7GB+2.92GB）

Win:Team R2R | 2024.10.11 | 4.29 GB
Win：P2P/Keygen-Audiowarez | Date: 2024.10 | Size: 2.7 GB
Mac：Team HCiSO | 07 October 2024 | 2.92 GB

特别推荐：[Ableton Live原厂完整综合音色库]Ableton Live Suite 12 Library (Sound Packs ) [ALP]（47Gb）

安装方法：

以传统的线性编曲方式创作，或者在 Live 的 Session 界面中不受时间轴的限制即兴创作。在音乐元素之间自由移动，玩转想法，无需停止音乐，也无需打断您的流程。

→ Live 12 中的所有新功能和更新：

MIDI 变换
为您的 MIDI Clip 创建各种简单或复杂的变化：添加装饰音和运音法，绘制加速和减速曲线，连接连续的音符和和弦，或模拟吉他的扫弦。

MIDI 发生器
使用新的 MIDI 发生器唤起旋律、和弦和节奏。为您选择的 Generator 提供自定义约束，观看它创建俏皮的原始模式，然后将它产生的想法变成您自己的想法。

Max for Live MIDI Tools
Max 现在促进了更伟大的实验，让你可以创建新的 MIDI 变换和发生器 – 基于现有的或你自己的创作。

MIDI 编辑改进
按音高、力度或持续时间排列所选音符的顺序。以新的方式拉伸、拆分、切碎或加入音符;塑造音符的力度;将它们移调到一个刻度上;或者以半音阶或调性方式添加音程。

键和音阶：
在 Live 的控制栏中设置所选 Clip 的音阶，以便在你创建的任何 Clip 中查看其音符。然后，以音阶高亮显示为指导来编辑 Clip，使用 Clip 音阶来转换和生成音乐创意，或者将 MIDI 装置和乐器的音阶同步到正在播放的 Clip 中。Live 中的任何更改都将反映在 Push 中，反之亦然。

扩展概率
为一组音符分配一个概率规则，以便在触发触发器时播放整组音符。或者选择一个和弦，并告诉 Live 在触发概率触发器时随机播放其中的一个音符。

拥抱并探索调音
遵循您喜欢的调音系统或更轻松地尝试不同的调音系统。在 12 音平均律系统之外工作，并使用 Live 的装置以及任何支持 MPE 的插件进行调音。

Meld
一种双音色、支持 MPE 的乐器，专为深沉的声音塑造而设计，可让您通过其两个易于使用的宏振荡器创建各种纹理和实验音调。

Granulator III
罗伯特·汉克 （Robert Henke） 的颗粒乐器的最新版本现在具有 MPE 功能，让您可以对音符弯曲、颤音和滑音等参数进行富有表现力的控制。此外，您现在可以实时捕获音频并立即开始处理它。

Roar
使用 Live 的新着色和饱和度效果器，从微妙而精确的母带级温暖到狂野且不可预测的声音降级，应有尽有。Roar 的三个饱和级可用于串联、并联，甚至用于中/侧和多频段配置，并且它配备了反馈发生器和广泛的调制矩阵。

新的 Modulation Behavior 调制
目标不再由调制源接管。这意味着即使在为其分配了 LFO 或其他调制源之后，你仍然可以调整正在调制的参数，从而打开更快的工作流程、更多演奏可能性和连续实时控制参数。

新包
Lost and Found  – 由不寻常的材料、打击乐小饰品、独特的拟音录音和富有表现力的物品制成的声音集合，为您的作品注入个性和真实性。深入挖掘并创建装饰性、富有表现力的乐器、俏皮的 Drum Racks 和丰富的音效。

New Pack
Performance Pack – Iftah 的一组创新设备，突破了 Live 表演的界限。捕捉 Set 的快照并在以后部署，使用分层的宏和曲线控制多个参数，在 Arrangement 界面中使用循环来扩展演奏，并在录制之前预先安排演奏的结构。

堆叠细节视图
同时查看您的设备和 Clip 编辑器，或自动化和设备参数 – 因此您可以工作而不会因在视图之间切换而分心。

View 样式
Live 12 更简洁、更简约的外观消除了视觉复杂性，并专注于您的音乐。

Arrangement
Live 调音台中的调音台以前只能在 Session 界面中使用，现在可以在 Arrangement 界面中使用。使用位于右下角的 Mixer View Control（调音台视图控制）或通过【View】菜单来打开或关闭它，并独立于 Arrangement 调音台进行配置。

Mixer 改进
Live 的 Mixer 还带来了视觉上的改进，使其更准确地做出详细的混音决策，并且更易于阅读和控制。

浏览器标记和过滤搜索在浏览器中
搜索你的声音，而不受 Live 内置分类的限制。这意味着当您搜索贝斯声音时，您将在 Ableton 库中看到所有贝斯声音，无论它们是样本还是乐器预设。

Live 12 的声音内容也使用新系统进行标记，该系统可以作为侧边栏中 收藏夹 的更灵活的替代方案或补充。声音现在带有合理的标签，以便于查找 – 但如果您需要更多详细信息，或者只想使用自己的标记方法，您也可以添加自己的标记方法。

除了 Live 12 的内置标签外，您还可以在侧边栏中创建自己的自定义类别，以便以最适合您的工作流程的方式轻松访问您喜爱的所有声音和设备。

声音相似性搜索
从一个采样开始，然后告诉 Live 的浏览器在神经网络的帮助下找到类似的声音和乐器预设。
或者将 Drum Rack 中的所有采样换成类似的采样，以快速尝试新的打击乐纹理 – 就像带有看似无限的鼓组的鼓机一样。

浏览器历史记录
回溯你的步骤，查看和听到你之前搜索过的声音或类别：Live 的浏览器现在可以让你像使用网页浏览器一样回溯搜索历史。

辅助功能和导航改进
使用屏幕阅读器等辅助技术控制 Live 12 中的核心工作流程，并使用新的键盘快捷键导航到 Live 的几乎每个部分。

新主题
选择新主题并使用冷色调、中性色调或暖色调甚至高对比度模式进行调整。

Live 12 发行说明

支持的操作系统：

MacOSX

• macOS 11.0 或更高版本
• Apple Silicon 或 Intel Core 处理器

Windows

• Windows 10（版本 22H2）或 Windows 11（版本 22H2 或更高版本）
• 第五代 Intel® Core™ i5 处理器或 AMD Ryzen 处理器Live 12 无法在不支持 AVX2指令的处理器上运行
• 8GB 内存
• 1366×768 显示分辨率
• 支持 Link 的 ASIO 兼容音频硬件（也建议用于最佳音频性能）
• 系统驱动器上大约有 3 GB 磁盘空间用于基本安装（建议 8 GB 可用磁盘空间）

Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

→ All new features and updates in Live 12:

MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.

MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.

Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.

MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.

Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.

Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.

Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.

Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.

Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.

Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.

New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.

New Pack
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.

New Pack
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.

Stacked Detail Views
View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views.

View styling
Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music.

Mixer in Arrangement
Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer.

Mixer improvements
Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control.

Browser Tagging and Filtered Searches
Search for your sounds in the Browser without the constraints of Live’s built-in categorization. That means when you search for bass sounds, you’ll see all the bass sounds in your Ableton library, whether they’re samples or instrument presets.

Live 12’s sound content is also tagged using a new system that acts as a more flexible alternative or addition to Collections in the sidebar. Sounds now come with sensible labels to make them easier to find – but if you need more detail, or just want to use your own method of labeling, you can also add your own.

Aside from Live 12’s built-in tags, you can create your own custom categories in the sidebar for easy access to all your favorite sounds and devices in the way that makes the most sense to your workflow.

Sound Similarity Search
Start with a sample and tell Live’s browser to find comparable sounds and instrument presets, with the help of a neural network.
Or swap all the samples in your Drum Rack for similar ones to quickly try out new percussive textures – like a drum machine with seemingly-infinite kits.

Browser History
Retrace your steps, and see and hear the sounds or categories you’ve previously searched for: Live’s Browser now lets you backtrack through your search history as you would with a web browser.

Accessibility and navigation improvements
Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.

New Themes
Choose new themes and adjust them with cool, neutral or warm tones and even a high contrast mode.

Live 12 Release Notes

Supported Operation System:

• macOS 11.0 or later
• Apple Silicon or Intel Core processor

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