[管弦乐铜管音源]Aaron Venture Infinite Brass v1.6 PROPER [KONTAKT]（9.87GB）

P2P | 03 November 2022 | 9.87 GB

Infinite Brass 是下一代虚拟铜管乐器的集合，可让您在键盘上准确弹奏任何线条 – 无需按键切换 – 并在 3 个不同空间之一中以美妙、干净、现代的声音真实地呈现您的表演。

使用 29 种单独的乐器和 13 种不同的静音功能构建您自己的合奏。无论您是喜欢音乐会作品的更集中的声音，还是电影配乐的宽广声音，58 个位置都允许您创建任何您想要的布局。Infinite Brass 设有 3 个标准空间：温暖的莫扎特音乐厅、夸张的 Bersa 大厅和干燥的工作室。环境声是通过卷积实时生成的，使用每个位置和房间独有的定制脉冲响应，因此环境声始终 100% 反映表演。相位对齐采样不会在图层之间产生感知到的交叉淡化;响应流畅、悦耳，听起来像真实的东西。

Infinite Brass 拥有市场上最广泛的铜管乐器系列，并且所有乐器都有从 ppp 到 fff 的一致动态范围。所有乐器都有可演奏的颤音、颤振和咆哮，甚至同时具有这三种乐器。

Infinite Brass 以 48 kHz/24 位进行半音阶采样。尽管列出了所有功能，但这些仪器是您用过的最轻的仪器之一，总容量为 14.0 GB，每台仪器仅使用 ~50 MB 的 RAM。

全套武器库
从交响乐到大乐队，一切就绪。您可以使用 29 种乐器 – 从短笛小号的高亢声音，到震撼人心的低音提琴大号和刺耳的 cimbassi。创建所需的任何配置。将不同的静音组合成一行，以获得无限的颜色选择。

INFINITE BRASS 1.6 中的新功能 Infinite Brass
的又一次重大更新。这次没有新的乐器，但您会发现生活质量的改进、新的工作流程兼容性功能、声音改进、新麦克风、连奏改进等等。

新的 Mics
Horns 现在具有适用于所有位置的乐器麦克风。乐器麦克风对于为您的号角线添加细节非常有用。即使是整个圆号合奏中的单个也足以引起注意。以前只出现在独奏者位置（在距离上它取代了标准的 Close 话筒），现在只需在界面中单击一下，即可在 Close 和 Inst 话筒之间切换。它甚至可以在启用 Mixed Mic 时工作，因为乐器将切换到一组不同的麦克风混音。

低铜管刷新
随着几乎所有其他乐器都会在某个时候进行修饰，现在是收紧 “骨头” 的时候了。
除了音调调整外，长号现在在房间里的内置中低频也更少了。这种中低频的东西听起来很饱满，但如果你不小心，它很容易堵塞你的混音，所以我会发现自己处于需要它更清洁的情况，但无法做任何事情而不会对乐器的整体音色产生负面影响，根据你的反馈，你也有同样的感觉。所以现在如果你想把它加回去，只需放一个外部混响，EQ 出高音，然后拨入。

音高行为引擎也已更新，因此长号在其音域的最低部分将更加可信。反过来，这极大地改善了低沉铜管合奏的声音。你也会在小号和号角中听到这句话。

改进和错误修复
1.6 包括所有乐器的连奏更新。根据用户反馈，对 legato 进行了简化，以创造更好的用户体验，当涉及到圆号和长号时，它的声音会更好。

Pitch Bend 范围现已解锁。请注意，这些乐器仍然是基于采样的，因此随着您弯曲的次数增加，您的质量会变差。
默认情况下，样本是 stereo 的。这样做是为了在一定程度上抵消脉冲响应的静态性质。Mono Compatibility 会将乐器切换到单通道模式，在使用近距离麦克风时增加相关性，以换取稍微静态的立体声图像。

现在，近距离麦克风声像调整将更一致地跟随乐器位置。Trumpets 的立体声图像也得到了改进，从而获得了更高的清晰度。
值得强调的两个错误修复是音符关闭处理，这将减少播放停止时挂起音符的几率，以及移相修复。在 1.5 中，一些用户遇到了完全随机的阶段划分问题，现在已经解决了这个问题。

发布的先前版本包含需要 KONTAKT v6.7.1 的重新保存文件。

现在您可以下载包含原始文件的版本。

Infinite Brass is a collection of next-gen virtual brass instruments that let you play any line exactly as it sounds in your head – right on your keyboard with no keyswitching – and render your performance authentically with a fantastic, clean, modern sound in one of 3 different spaces.

Build your own ensembles with 29 individual instruments and 13 different mutes. Whether you prefer a more centered sound for concert works or a wide sound for film scoring, 58 positions allow you to create any layout you desire. Infinite Brass comes with 3 standard spaces: the warm Mozarteum, the bombastic Bersa Hall, and the dry Studio. The ambiance is generated in real-time through convolution using bespoke impulse responses unique to each position and room, so the ambiance is always 100% reflecting the performance. Phase-aligned samples result in no perceived cross-fades between the layers; the response is smooth, musical, and sounds like the real thing.

Infinite Brass boasts some of the widest brass instrument ranges on the market and a consistent dynamic range from ppp to fff for all instruments. All instruments have playable vibrato, flutter, and growl, even all three at the same time.

Infinite Brass was chromatically sampled at 48 kHz/24-bit. In spite of all the listed features, these instruments are some of the lightest you’ll ever use, totaling 14.0 GB with only ~50 MB of RAM used per instrument.

FULL ARSENAL
From symphonic to big band, you’re all set. You get access to 29 instruments – from the soaring sounds of a piccolo trumpet, down to the ground-shaking contrabass tuba and the raspy cimbassi. Create any configuration you want. Combine different mutes in a line for endless color options.

What’s new in INFINITE BRASS 1.6
Another big update for Infinite Brass. No new instruments this time, but you’ll find quality-of-life improvements, new workflow compatibility features, sound improvements, new mics, legato improvements, and more.

New Mics
Horns now have the instrument mic available for all positions. Instrument mics are phenomenal for adding detail to your horn lines. Even a single one in an entire horn ensemble will be enough to draw attention. Previously only present in the soloist position (where it replaced the standard Close mic in terms of distance), you can now switch between Close and Inst mics with a single click in the interface. It will even work while Mixed Mic is enabled, as the instrument will swap to a different set of mic mixes.

Low Brass Refresh
With pretty much every other instrument getting a touch-up at some point, now is the time to tighten up the ‘bones.
Along with tone adjustments, trombones now have less low-mid build-in in the room. This low-mid stuff makes it sound full but it will easily clog up your mix if you’re not careful, so I would find myself in a situation where I needed it to cleaner, but couldn’t do anything without negatively impacting the overall tone of the instruments, and based on your feedback, you felt the same. So now if you want to add it back in, just drop an external reverb, EQ out the highs, and dial it in.

The pitch behavior engine has also been updated, so trombones will act more believably in the lowest parts of their range. This, in turn, massively improves the sound of a low brass ensemble playing in unison. You’ll hear this in trumpets and horns, too.

Improvements and Bugfixes
1.6 includes a legato update for all instruments. Based on user feedback, legato has been streamlined to create a better user experience, and it will sound better when it comes to horns and trombones.

The Pitch Bend range is now unlocked. Do note that the instruments are still sample-based, so you’ll get deteriorating quality as you bend more.
The samples are stereo by default. This was done to somewhat counter the static nature of impulse responses. Mono Compatibility will switch the instrument to single-channel mode, increasing correlation when using close mics, in exchange for a slightly more static stereo image.

Close mic panning will now more consistently follow the instrument position. Trumpets also received improvements to their stereo image, resulting in more clarity.
Two of the bug fixes worth highlighting are note-off handling, which will reduce the chance of hanging notes occurring on playback stop, and the phasing fix. With 1.5, some users have experienced completely random phasing issues, and that’s now been taken care of.

Released previous version contains resaved files requiring KONTAKT v6.7.1.

Now you can download release contains original files.

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