[更新：日本民族乐器复古尺八音源]Sonica Instruments Shakuhachi v2.0.0 [KONTAKT]（5.33GB）

P2P | 31 December 2024 | 5.33 GB

铿锵有力的歌声、深沉而细腻的呼吸，以及溢出到外围的日本声音美学：尺八——日本的象征性乐器——终于加入了 Virtuoso 日本系列家族。

主要特点

– 精确捕捉资深尺八演奏家的闪烁声音，涵盖每一种演奏技巧，并在每个音乐间隔处都非常注重细节进行录制。
– 具有专为该库设计的性能机制，可重现这种管乐器的完整动态，从最柔和的声音到最强调的音高。
– 独特的 Key Trigger Connection 功能让表演者可以在不中断声音的情况下通过各种丰富多彩的发音。
– 连奏和装饰音控制再现了复杂的指法技术，例如 Atari、uchi 和 oshi。
– 吹气控制功能允许表演者使用控制器操纵从呼吸噪音到实际音调的持续时间。
– 表情控制自然连续地改变色调颜色，没有渐变。
– 尺八（1.8 尺八）和 2.3 尺八的混合组合提供了更宽的音域，包括较低的色调和更多的色调颜色变化。
– 使用 Scale Tuning 功能创建传统的尺八音高音阶，以及表演者特定的音高音阶，该功能提供从 G2 到 B5 的单个音符调整。
– 五个短语库包含各种基本的尺八短语。
– 以完整的 24 位 96 kHz 保真度采样的生动有力的声音（库本身包含 24 位 44.1 kHz 样本）。
– 使用多麦克风样本和专用混音器创建您自己的混音，该混音器具有 Direct、Overhead、Room 和 Stereo Mix 的单独控件。
– NKS 就绪且兼容 Kontakt Player。

歌唱铿锵的语调，深沉而细腻的呼吸。
Rei Jin 在采样环节演奏了尺八。他为我们提供了来自竹制乐器的整个万花筒般的声音——从柔和、甜美的长音到最夸张的爆炸——只有最熟练的演奏者才能产生。

该库包含几乎所有可能的尺八发音，包括垂直 yuri、水平 yuri 和其他颤音技巧、sforzando、
许多 muraiki 呼吸表达、tamae 颤音、korokoro、karakara 和其他音效技巧，以及基于短音阶的即兴创作。

五个短语库包含各种基本的尺八短语。

键扳机连接让表演者在不打断声音的情况下即时切换演奏技巧作为一种管乐器，尺八在保持单一声音的同时，每时每刻都会通过不同的技术演奏：例如，从直音到 yuri（颤音），然后从 yuri 到猛烈而响亮的空气爆发。
我们从头开始设计了 Key Trigger Connection 机制，以重现这种典型的尺八表演方法。

Key Trigger Connection 让你只需在弹奏时敲击分配的琴键，就可以将运音法流畅地串在一起。可连接的关节包括各种尤里技术、sforzando、muraiki（呼吸）效果、uchi & oshi 指法以及 tamae（舌颤音）。你可以在按住基础音符的同时连接任意数量的运音法，以获得现场乐器的感觉。

这种机制允许表演者使用控制器来操纵从初始呼吸噪声开始的持续时间，直到产生任何声音，直到达到音符的全部功率。Blow 控制使弹奏键盘感觉就像一个管控制器，尽管是基于采样的，但让您能够获得流畅、动态的呼吸表情。

音阶调音
整个音域的每个半音音高都可以单独微调。这使您可以从日本音乐中访问传统的音阶音高，并产生特定表演者独有的音高 “感觉”。

当然，可以保存和调用音高设置。

多麦克风样本
在录音室中，我们使用了细致的麦克风设置以及没有染色的高端麦克风前置放大器，以确保我们捕捉到乐器的真实声音。

样本在三个立体声麦克风位置（Direct、Overhead、Room 以及 Stereo Mix）以及 Stereo Mix 中录制。提供完整的混音控制，每个通道都有单独的音量、声像、混响发送和 EQ 调整。SHAKUHACHI 还配备了高质量的卷积混响，可提供出色的乐器内声音创作。并行输出总线将麦克风通道发送到单独的 DAW 轨道，以实现更精细的混音会话。

使用 Load Manager，演奏者可以只加载所需的奏法。跳过不必要的样本可以从 Kontakt 引擎获得更好的性能。

MIDI槽浏览器
SHAKUHACHI具有极其有用的槽浏览器，让您可以快速找到MIDI槽并直接将槽动拖放到您的DAW中。

你可以直接从 KONTAKT / KOMPLETE KONTROL 中调整律动的力度、摇摆、播放速度和其他参数。

该库标配 20 个 MIDI 律动，包括传统歌曲和短句，展示了乐器的能力。当与即将发布的 Groove Inspirations MIDI 包结合使用时，Groove 浏览器可以让你访问一个广泛的乐句库。

适用于 NI Kontakt Player v6.6 及更高版本！

Singing sonorous intonation, deep yet delicate breathing, and a Japanese sound aesthetic spilling into the periphery: The shakuhachi — an instrument symbolic of Japan — finally joins the Virtuoso Japanese Series family.

Main Features
– Precisely captures the scintillating sounds of a veteran shakuhachi player, covering every playing technique and recorded with exacting attention to detail at every musical interval.
– Features performance mechanisms designed specifically for this library to recreate the full dynamics of this wind instrument, from the softest sound to the most emphatic pitch.
– The unique Key Trigger Connection function lets the performer move through a colorful assortment of articulations without ever interrupting the sound.
– Legato and grace note controls reproduce complex fingering techniques such as atari, uchi, and oshi.
– The blow control function lets the performer manipulate the duration from the breath noise to the actual tone with either a controller.
– The expression control varies the tone color naturally and continuously without gradations.
– A hybrid combination of the shakuhachi (1.8 shakuhachi) and the 2.3 shakuhachi provides a wider register, including lower tones, and more tone color variations.
– Create traditional shakuhachi pitch scales, as well as performer-specific pitch scales, with the Scale Tuning function, which provides individual note adjustment over G2 to B5.
– Five phrase banks contain a wide array of essential shakuhachi phrases.
– Lively powerful sounds sampled in full 24-bit 96 kHz fidelity (the library itself contains 24-bit 44.1 kHz samples).
– Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mix.
– NKS ready and Kontakt Player compatible.

Singing sonorous intonation, deep yet delicate breathing.
Rei Jin played the shakuhachi for the sampling sessions. He gave us an entire kaleidoscope of sounds from the bamboo instrument — from soft, sweet long tones to the most bombastic blasts — that only the most skilled player can produce.

The library contains nearly every possible shakuhachi articulation, including vertical yuri, horizontal yuri, and other vibrato techniques, sforzando,
many muraiki breath expressions, tamae trills, korokoro, karakara, and other sound-effect techniques, and short scale-based improvisations.

Five phrase banks contain a wide array of essential shakuhachi phrases.

Key Trigger Connection lets the performer switch playing techniques on the fly without ever interrupting the sound
Being a wind instrument, the shakuhachi is played by varying techniques from moment to moment while maintaining a single sound: for example, from a straight tone to yuri (vibrato) and then from yuri to a violent and loud burst of air. We designed the Key Trigger Connection mechanism from scratch to reproduce this quintessential shakuhachi performing approach.

Key Trigger Connection lets you string articulations together smoothly just by hitting the assigned keys while playing. Connectable articulations include various yuri techniques, sforzando, muraiki (breath) effects, uchi & oshi fingering, and tamae (tongue trill). You can connect as many articulations as you like while holding down the base note, for the feel of a live instrument.

This mechanism lets the performer, using a controller, manipulate the duration from the initial breath noise before any sound is produced until the note’s full power is reached. Blow control makes playing a keyboard feel like a wind controller, giving you access to smooth, dynamic breath expressions despite being sample based.

Scale Tuning
Each chromatic pitch across the whole register can be individually fine-tuned. This lets you access traditional scale pitches from Japanese music and pitch “feels” unique to a particular performer.

And of course, pitch settings can be saved and recalled.

Multi-microphone samples
In the studio, we used a meticulous microphone setup together with high-end microphone preamps with no coloration to ensure we captured the true voice of the instrument.

Samples were recorded in three stereo microphone positions — Direct, Overhead, and Room — plus a Stereo Mix. Full mixing control is available, with individual Volume, Pan, Reverb Send, and EQ adjustments for each channel. SHAKUHACHI also comes with a quality convolution reverb for excellent in- instrument sound creation. The parallel output bus sends the microphone channels to individual DAW tracks for finer mixing sessions.

With the load manager, the performer can load just the desired articulations. Skipping unnecessary samples can obtain better performance from the Kontakt engine.

MIDI Groove Browser
SHAKUHACHI features the incredibly useful Groove Browser, that lets you quickly find MIDI grooves and drag & drop grooves directly into your DAW.

You can adjust the grooves’ velocity, swing, playback tempo, and other parameters directly from KONTAKT / KOMPLETE KONTROL.

The library comes standard with 20 MIDI grooves, including traditional songs and short phrases that showcase what the instrument is capable of. When combined with the soon-to-be-released Groove Inspirations MIDI pack, the Groove Browser gives you access to an extensive phrase bank.