[UVI Workstation库中音萨克斯管]Acoustic Samples V Horns Alto Saxophone（188Mb）

P2P | 27 October 2023 | 188 MB

安装方法：UVI音色库，需搭配UVI采样器使用！

1、安装激活采样器：UVI Workstation v3.1.15 R2R-win
2、在软件菜单设置里添加包含.ufs的音色库文件夹路径
3、将R2R里的激活证书拷贝到：C:/ProgramData/UVI/R2R（显示隐藏文件）
4、重启开启 UVI Workstation

得益于我们专有的 H.A.T.（谐波对齐技术），VHorns 不仅仅是另一种重多采样乐器——你可以像现场演奏者一样演奏奏法，只需一个调制轮来控制气流（甚至只是通过自动化绘制）。

弹奏断奏、marcatos、legatos 或双舌不需要复杂的按键开关——您只需将乐器加载到 DAW 中即可演奏。Vibrato 甚至可以自动化。

正宗的颤音
我们仔细测量了萨克斯管演奏者使用颤音时变化的不同参数，并将所有内容组合成一个高度逼真且可定制的 VHorns 萨克斯管颤音。

有多种方法可以控制颤音：自动、自动（取决于时间）和手动。

连奏过渡快速
的连奏过渡通常是乐器是虚拟而不是真实的主要 “信号 ”，因此我们花费了大量的时间和精力仔细提取几个录制的现场过渡的每一个微小细节，以使我们的乐器与真实的演奏没有区别。

这些过渡范围从闪电般快速的音符变化到极慢的弯音，有和没有额外的起音。我们涵盖了所有内容 – 您可以完全控制。

连奏的行为可以调整，甚至可以随机化，以获得更逼真的表演。

多麦克风录音
录制萨克斯管可以通过多种方式和不同的位置完成。我们使用了 4 个不同的麦克风位置，以便您可以获得所需的确切声音，就像您自己选择了麦克风位置一样。

这在使用 “virtual space” 时可以产生更好的结果，如下所述。

您可以应用混响和 EQ 来完全按照自己的喜好进行混音。

虚拟空间
虚拟空间使用卷积完美地复制了合奏的真实录音。

当你录制一个大乐队时，你通常会在音乐家面前放置一对麦克风，它们会自然地在立体声场中占据位置，这取决于他们在房间里的位置。虚拟空间做同样的事情;您可以将音乐家放置在您喜欢的任何位置。

当将其与多个轨道一起使用时，您会立即有一种置身于真实圆号部分之前的感觉。

高级编辑
演奏铜管乐器的方法数不胜数，我们花时间与世界级的演奏者讨论他们定期在演奏中融入的不同变化。

基于这些讨论，我们决定将“高级编辑”选项卡合并到我们所有的 VSeries 库中 – 让您对这些乐器进行近乎无限的控制。

键盘、呼吸控制器或风控制器
VHorns 可以使用键盘播放，方法是选择键盘上的音符并使用 MIDI 控制器（如调制轮或呼吸控制器）控制气流。

您还可以使用 EWI、Aerophone、Sylphyo 或任何其他品牌的管控制器，在这种情况下，您需要在 MIDI 部分中使用适当的控制器菜单。

MPE 支持和微调
VHorns 萨克斯管支持 MPE，因此您可以将它们与首选的支持 MPE 的硬件一起使用。

微调在 ‘Tuning’ 框（如图）上是可控制和编辑的，让您可以选择使用非传统音阶进行演奏。

Ensemble
如果你同时加载多个乐器，它将完全同时演奏同音。

我们添加了一些智能功能，首先可以改变乐器的音色，按固定的间隔移调所有内容，还可以作用于 MIDI 演奏。

例如，你可以让所有 6 个具有不同变调值的乐器都弹奏相同的 C 小调音阶，因此无论你在键盘上弹奏什么，它都会以调子发声。

Thanks to our proprietary H.A.T. (Harmonic Alignment Technology), VHorns is not just another heavily multi-sampled instrument – you can play articulations exactly like a live player would, with just a mod wheel to control air flow (or even just by drawing in automation).

There are no elaborate keyswitches involved to play staccatos, marcatos, legatos or double tongues – you simply load up the instrument in your DAW and play. Vibrato can even be automated.

Authentic Vibrato
We carefully measured the different parameters that change when a saxophonist uses vibrato and combined everything into a highly realistic and customizable vibrato for VHorns Saxophones.

There are multiple ways to control the vibrato: automatic, automatic depending on time, and manually.

Legato Transitions
Fast legato transitions are often the main ‘tell’ that an instrument is virtual rather than real, so we spent a considerable amount of time and effort carefully extracting every tiny detail of several recorded live transitions to make ours indistinguishable from a real performance.

These transitions range from lightning-fast note changes to extremely slow bends, with and without extra attack. We covered everything – and you have complete control.

The legatos’ behaviour can be adjusted and even randomized for more life-like performances.

Multi Microphone Recording
Recording a saxophone can be done in various ways and at different positions. We used 4 different microphone positions so that you can get the exact sound you want, as if you had chosen the microphone placement yourself.

This can produce even better results when using the “virtual space”, detailed below.

You can apply reverb and EQ to mix it completely to your taste.

Virtual Space
The Virtual Space perfectly replicates a real recording of an ensemble, using convolution.

When you record a big band, you usually place a pair of microphones in front of the musicians and they naturally take position in the stereo field depending on where they are in the room. The Virtual Space does exactly the same thing; you can place the musician wherever you like.

When using this with multiple tracks, you immediately have the feeling of being in front of a real horns section.

Advanced Editing
There is an endless number of ways to play a brass instrument, and we took the time to talk to world-class players about the different variations they incorporate into their playing on a regular basis.

Based on these discussions, we decided to incorporate an ‘Advanced Editing’ tab into all our VSeries libraries – giving you near-infinite control over these instruments.

Keyboard, Breath Controller or Wind Controller
VHorns can be played using a keyboard by selecting the notes on the keyboard and controlling the air flow with a MIDI controller like the modulation wheel or a breath controller.

You can also use a wind controller like an EWI, an Aerophone a Sylphyo or any other brand, in which case you need to use the appropriate controller menu in the MIDI section.

MPE support and microtuning
The VHorns Saxophones support MPE, so you can use them with your preferred MPE-enabled hardware.

Microtuning is controllable and editable on the ‘Tuning’ box (pictured), giving you the option to play using non-traditional scales.

Ensemble
If you load multiple instruments at the same time, it will play unisons exactly at the same time.

We added some smart features that first can change the timbre of the instruments, transpose everything by a fixed interval and also act on the MIDI performance.

For example, you can have all 6 instruments with a different transposition value play the same C minor scale, so no matter what you play on the keyboard, it will sound in key.

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