[喷火管弦乐综合音源]Spitfire Audio Orchestral Swarm [KONTAKT]（27.58Gb）

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[全家桶]Spitfire Audio 喷火系列合集 [KONTAKT]（1655GB）
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作为管弦乐采样库创新的新标准，这将显着扩展您现有的管弦乐调色板，以包含大量完全独特的纹理。作为仅使用直接长音符的替代方案，该库利用了点彩效果，即让多个演奏者以随机间隔演奏短音符，以产生起伏的声音膨胀，可以实时演奏以获得鼓舞人心的结果。采用我们的 Swarm 方法，但适用于管弦乐队，它通过利用管弦乐器的多种发音和演奏风格来获得更多细节，并为您的作品提供与图片一起跳舞的流畅动态。该库是与 Bleeding Fingers 独家合作创建的，并在 Blue Planet ii 和 Hans Zimmer/Radiohead 合作的“（ocean） bloom”中出现。

新的管弦乐声音

这个库是与 Bleeding Fingers（《行星地球 II》、《自由之子》、《罗马帝国：血腥统治》）的创新合作，后者希望创建此库以用于 BBC 的旗舰系列：蓝色星球 II。他们的概念是录制多个演奏者演奏同一音高的随机短音符。效果将是一团颗粒状的音符 “云” – 由微时刻层创建的美丽长声音纹理，用于代替更传统的长音符;这是开创性电视节目中 Oceanic Happen-On 的完美配乐。

现在，我们 Spitfire 非常了解这种方法 – 正是我们将其用于 Swarm 库的技术，这个机会将我们推向了一个新的领域 – 在这种 Swarm 技术中利用管弦乐队的力量。我们快速秘密地为 Bleeding Fingers 的团队提供了一个初始库，专门用于该节目。Hans Zimmer 和 Radiohead 甚至继续将其用作他们的“（ocean） bloom”合作的一部分。然后，我们回到工作室，用管弦乐队捕捉更多内容，包括短音符和扩展的技术和层次，为媒体作曲家创建最完整的工具。

如果你厌倦了静态的长音，或者已经不再喜欢 shorts ostinatos，这种新的管弦乐采样纹理方法将为你的作品增添活力。加入现代音乐会音乐和配乐的先驱，探索管弦乐作品的新联盟。

多姿多彩的海洋

该库由各种弦乐、铜管乐器和木管乐器合奏组成，单独录制，并使用 Swarm 点画法录制，使用对这些乐器最惯用的技术。其中许多声音以前从未被采样过。从巴松管的“爆裂声”到号角的“扑动舌头”，我们采用了广泛的技术，并通过 Swarm 方法将它们组合在一起（每个演奏者随机演奏短音符以产生优美随机的声音云），为您现有的管弦乐队提供大大增加的声音调色板。随附的个人合奏短裤还进一步扩展了您的选择范围，使您能够为您的作品添加节奏元素。此外，板载的两个混响 – 一个紧凑的 “舞台 ”声音和一个更长、更丰富的 “大厅 ”声音 – 使 Swarms 与你现有的管弦乐库混合变得轻而易举。

不列颠格罗夫峡湾

与任何其他 Spitfire 图书馆一样，我们对这些会议采取了不遗余力的方法，这次是在地球上藏书最充足、维护最严密的工作室之一：British Grove。British Grove 由 Mark Knopfler 创立，是新千年建造的为数不多的大型工作室之一，其独特的愿景是将最先进的技术与传奇的原创作品相结合（它拥有两张原始且完全修复的 EMI 办公桌，乔治·马丁爵士和披头士乐队使用过）使其留下了值得注意的遗产。

当天的信号路径以 Neve 88r 调音台为特色，将板载 pres 和 Broadhurst Gardens pres 用于房间麦克风，将 EMI TG 调音台 pres 用于一些中室麦克风。传感器包括：Royers、Ela M、Neumanns 和 Coles。

录音舞台是一个中等大小的半混响房间，允许精确的细节，但有足够的能量来保持个性和丰满度。

如何运作

关键数据

25565 个样本
50.1 GB 未压缩 .WAV
需要 29.7 GB 磁盘空间
安装期间需要 59.4 GB 磁盘空间

A new standard in orchestral sample library innovation, this will significantly expand your existing orchestral palette to include a huge variety of totally unique textures. As an alternative to just using straightforward long notes, this library draws upon the pointillistic effect of having multiple players perform short notes at random intervals to create an undulating swell of sound that can be performed in real time for inspiring results. Taking our Swarm approach, but adapted for the orchestra, it gives access to even greater detail by utilising the huge variety of articulations and playing styles of orchestral instruments and will give your compositions a liquid dynamic that dances alongside the picture. This library has been created exclusively in collaboration with Bleeding Fingers, and is featured in Blue Planet ii and Hans Zimmer/Radiohead’s collaboration “(ocean) bloom”.

A NEW ORCHESTRAL SOUND

This library is an innovative collaboration with Bleeding Fingers (Planet Earth II, Sons Of Liberty, Roman Empire: Reign Of Blood), who wanted to create this library to use for the BBC’s flagship series: Blue Planet II. Their concept was to record multiple players performing random short notes of the same pitch. The effect would be a granular “cloud” of notes – beautiful long sonic textures created from layers of micro-moments to be used in place of more traditional long notes; a perfect soundtrack to the oceanic goings-on as featured in the groundbreaking television show.

Now, we at Spitfire know this approach well – it was this technique that we use for our Swarm libraries, and this opportunity pushed us towards a new territory – to utilise the power of an orchestra in this Swarm technique. We delivered an initial library quickly and in secret for the team at Bleeding Fingers to use exclusively for the show. Hans Zimmer and Radiohead even went on to use it as part of their “(ocean) bloom” collaboration. We then later returned to the studio to capture even more with the orchestra, including short notes and expanded techniques and layers, to create the most complete tool for media composers.

If you tire of static sounding longs, or have fallen out of love with shorts ostinatos, this new textural approach to orchestral sampling will add life to your arrangements. Join the pioneers of modern concert music and scoring to explore a new league of orchestral compositions.

AN OCEAN OF VARIETY

The library consists of various string, brass and woodwind ensembles, recorded individually and with the Swarm pointillistic approach, using techniques most idiomatic for those instruments. Many of these sounds have never been sampled before. From bassoon ‘pops’ to horn ‘flutter tongues’, we’ve taken a wide range of techniques and combined them via the Swarm approach (where players each randomly play short notes to create a beautifully random cloud of sound) to give a vastly increased sound palette to your existing orchestra. The included individual ensemble shorts also further extend your options, enabling you to add a rhythmic element to your work. In addition, the provision of two reverbs on board – a tight ‘stage’ sound and a longer more lush ‘hall’ sound – makes blending the Swarms with your existing orchestral libraries a breeze.

THE BRITISH GROVE SOUND

We’ve applied the same no-expense-spared approach to these sessions as any other Spitfire library, this time at one of the most well-stocked and highly-maintained studios on the planet: British Grove. Founded by Mark Knopfler, British Grove is one of the few large-scale studios to have been built in the new millennium, and its unique vision to combine state-of-the-art technology alongside legendary original pieces (it owns two original and fully-restored EMI desks as used by Sir George Martin and The Beatles) has it marked out to leave behind a noteworthy legacy.

The signal path on the day featured the Neve 88r console, utilising both the onboard pres as well as the Broadhurst Gardens pres for room mics and the EMI TG console pres for some of the mid room mics. Transducers included: Royers, Ela M, Neumanns and Coles.

The recording stage is a medium-sized, semi-reverberant room allowing for precise detail but with enough energy to maintain a character and fullness.

HOW IT WORKS

KEY STATS