[模拟通道条饱和均衡压缩插件]Tone Empire Goliath V2 v3.6.0 [WiN, MacOSX]（102.5MB）

Win：BUBBiX | 02 February 2025 | 15 MB
Mac：MORiA | AU | VST3 | AAX* | 87.5 MB

安装方法：直接安装，免激活版本。

Goliath V2 具有 4 条模拟建模处理链，包括合金（镍、铁、钢基变压器）、电子管、磁带和黑胶唱片，并带有驱动控制以及基于 FET 的包络和 3 频段均衡器。

这是一种真正具有革命性的“模拟”声音工具。准备好迎接惊喜吧！

有什么新功能？
Goliath 是我们最畅销的插件，现在以全新的面貌回归，配备全新的声音引擎和新功能。

此插件现在具有 4 种饱和模型 – 合金、电子管、磁带和带驱动器的黑胶唱片。我们现在使用我们的高级 DSP 模型，采用我们自己专有的“多重卷积”和组件建模技术来模拟模拟设备的“真实”硬件链。此外，此插件现在在其包络部分配备完整的 FET 压缩器和 3 频段均衡器及低切滤波器。

所有这些引擎使 Goliath V2 成为具有多种声音处理色彩、音质出色且用途广泛的通道条。
如果您喜欢复古模拟的“美妙之处”，那么 Goliath V2 就是您的不二之选！

模拟建模处理链部分
为了开发我们梦幻般逼真的模拟链，我们使用了专有的“多重卷积”和组件建模技术，对不同级别的设备进行了多次敲击采样。
因此，您可以真正听到设备的“真实”声音！

Goliath V2 中的信号链是：

低切 EQ –> 模拟处理选择器（4 个选项）–> 包络部分 –> EQ 部分。

合金
这是一个模拟处理链，具有著名的英国 1081 声音，其变压器的特点是镍、铁、钢。

让您领略干净如丝的模拟处理。

电子管
电子管链采用现代/经典电子管处理链和 AIR 电路建模。一种立即令人愉悦的声音，将为您的素材带来二阶谐波。

磁带
在这里我们使用了 ATR – 700 磁带录音机，速度为 15ips，以捕捉磁带的温暖和压缩。立即听到瞬态“预热”，同时获得三阶谐波饱和。

黑胶唱片
这款黑胶唱片具有一条模拟母带链，可连接到 Neumann 黑胶唱片切割机，并从 dubplate 采样多个 IR。

最后，让您的唱片听起来像一张“唱片”！

更多功能
DRIVE 控制：此控件可让您“驱动”所选的模拟链，以达到其各自的饱和特性。电平保持不变，因此无需继续使用该输出控件。
通过用力敲击信号，从轻触模拟链到全驱动饱和。您可以控制我们的声音！
包络均衡混合：使用此控制可调低包络均衡部分之前模拟链信号并行混合所使用的包络和均衡量。这可作为包络均衡的一种干/湿控制。

输出控制：这可让您控制处理的最终输出增益，范围从 -inf 到 +10 DB。当进行大量压缩并且需要在最后增强信号或削减电平时，此功能非常有用。

包络部分：
开/关开关：启用或绕过包络部分。

包络部分采用 1176 型 FET 压缩器，带有阈值控制和比率、攻击时间和释放时间的固定控制。攻击、释放和比率经过精心选择，可适用于各种各样的素材。从鼓到钢琴或人声，您可以将任何东西扔到这个压缩器上，它会轻轻地控制或猛烈地抓住声音！

阈值：控制包络开始起作用的阈值。
攻击：预编程的固定攻击时间，从快到慢。
释放：预编程的固定释放时间，从快到慢。
比率：固定比率，范围从 2:1 到“所有按钮开启”（粉碎比率）。

EQ 部分
开/关开关：启用或绕过 EQ 部分。

此部分具有 3 频段均衡器和低切滤波器
低切滤波器：一阶低切滤波器，范围从 20Hz 到 60Hz。
低 EQ：峰值滤波器均衡器设置为 65 Hz，用于将低频增强或削减 +/-10 DB。
中 EQ：峰值滤波器均衡器设置为 1.5KHz，用于将中频增强或削减 +/-10 DB。
高 EQ：峰值滤波器均衡器设置为 15 kHz，用于将高频增强或削减 +/-10 DB。

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ.

This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised!

What’s new ?
Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features.

This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

All these engines make Goliath V2 a great sounding & versatile channel strip with multiple colors of sound processing.
If you love that vintage analog “goodness”, then Goliath V2 is for you!

Analog Modelled Processing Chain Section
In order to develop our fantastic and realistic sounding analog chains, we used multiple samples of hitting the gear at different levels using our proprietary “Multi Convolution” & Component Modelling Technique.
Hence you actually get the “REAL” sound of the gear!

The signal chain in Goliath V2 is :

Low Cut EQ –> Analog Processing Selector (4 choices) –> ENVELOPE Section –> EQ Section.

ALLOY
This is an analog processing chain featuring the famous British 1081 sound which has characteristics of its transformer made of Nickel, Iron, Steel.

This gives you a taste of that clean silky analog processing.

TUBE
The Tube chain is modeled using a modern/ classic valve processing chain with an AIR circuit. An immediately pleasing sound that will bring 2nd order harmonics to your material.

TAPE
Here we have used the ATR – 700 Tape Recorder at 15ips to capture that warmth and compression of Tape. Immediately hear your transients being “warmed” up and also get third-order harmonic saturation.

VINYL
This one features an analog mastering chain going to a Neumann vinyl cutting machine and multiple IRs sampled from the dubplate.

Finally, get your record to sound like a “Record”!

More Features
DRIVE Control: This controls lets you “drive” the analog chain selected for its respective saturation characteristics. The levels remain the same, hence there will be no need to keep reaching for that output control.
Go from a light touch of the analog chain to full-on driven saturation by hitting the signal hard. You control our sound!
Env-EQ MIX: Use this control to dial back the amount of Envelope and EQ used by parallel mixing in the signal from the analog chain before the Env-EQ sections. This acts as a kind of dry/wet control for the ENV-EQ.

OUTPUT Control: This lets you control the gain of the final output of the processing from -inf to +10 DB. It’s helpful when compressing a lot and you need a signal boost at the end, or for cutting back the levels.

ENVELOPE SECTION:
ON/OFF Switch: Engage or bypass the Envelope Section.

The Envelope Section features an 1176 style FET compressor with controls for Threshold and fixed controls for Ratio, Attack Time & Release Time. The Attack, Release, and Ratios were carefully chosen to be applicable to a vast variety of materials. Drums to Pianos or Vocals, you can throw anything at this compressor and it will lightly control or aggressively grab the sound!

Threshold: Controls the threshold for the Envelope to kick into action.
Attack: Preprogrammed fixed Attack times going from Fast to Slow.
Release: Preprogrammed fixed Release times going from Fast to Slow.
Ratio: Fixed ratios ranging from 2:1 to “ALL Buttons In” (Smashing ratio).

EQ SECTION
ON/OFF Switch: Engage or bypass the EQ section.

This Section features a 3 band Eq and a low cut filter
Low Cut Filter: First Order Low Cut Filter ranging from 20Hz to 60Hz.
Low EQ: A peak filter Eq set at 65 Hz for boosting or cutting the low frequencies by +/-10 DB.
Mid EQ: A peak filter Eq set at 1.5KHz for boosting or cutting the mid frequencies by +/-10 DB.
High EQ: A peak filter Eq set at 15 kHz for boosting or cutting the high frequencies by +/-10 DB.

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