P2P | 10 April 2025 | WiN: 3 MB | MAC: 8 MB
安装方法:
Corrosion 是一种环形调制器,旨在为您的音轨提供沙砾感和奇怪的失真,它具有内部和外部调制源。
Ableton 的 Erosion 的替代品。
环形调制器,失真怪异的声音。
Corrosion 是由 The Buildzer 和 HoRNet Plugins 合作推出的一款音频效果器。
这款插件的理念是创造一种失真、腐蚀的声音。你可以用它来为平滑的贝斯或合成器音色增添沙砾感,也可以用在鼓循环中增强小军鼓的音色,或者创造出“砰砰”或“嘈杂”的底鼓音色。Corrosion 基于一种非常简单的处理方式,称为环形调制,它能产生令人惊叹的效果:取一个合成源(白噪声、正弦波、锯齿波或方波),对其进行滤波(低通、带通或高通),然后用它来调制输入声音。这个过程会产生所谓的“互调失真”(例如,FM 合成器就是基于这种效果构建的)。用一个信号调制另一个信号会产生许多谐波,从而丰富原始声音;如果调制器和载波不协调,就会产生不和谐的金属失真。我们决定让你使用白噪声、正弦波、锯齿波或方波,让你获得这种厚重、嘈杂、砰砰作响的失真效果,这在合成贝斯上非常酷。
用简单的滤波器过滤调制器会很无聊,所以我们选择了一个共振滤波器,它允许你在特定频率上“调整”调制器,让你有机会与原始声音产生谐波共振,如果你的声音发生变化,你可以启用“音轨音高”功能,该功能将滤波器或调制器调整到声音的基频并跟随任何音高变化,这是其他环形调制器所没有的独特功能。
Corrosion 的音频路径还具有模拟饱和功能,如果你启用它并用力驱动它,你可以听到它像晶体管一样扭曲你的信号,用鼓循环试试并用力驱动它,你会惊讶于饱和度和调制的结合可以让它变得多么肥厚。当然,在 Corrosion 上你可以找到常见的输入、输出和旁路控制。
为了让环形调制器更有趣,您还可以使用外部音频输入作为调制器源,而不仅仅是合成的音频输入,采用一个音轨并使用它来调制另一个音轨。
特点
– 产生互调失真的环形调制
– 调制器源:噪声、立体声噪声、正弦波、锯齿波、方波、外部输入 • 调制器的谐振低通、带通和高通滤波器
– 信号路径上的模拟饱和度
– 自动调整滤波器的“音轨间距”功能
– 输入、输出和旁路控制
– X、Y 触控板,可轻松操作滤波器
– 支持 macOS(10.11 及更高版本)和 Windows(Vista 及更高版本)。
在 Mac 和 Windows 上均兼容 64 位。
– 音频单元 VST2.4、VST3 和 AAX 格式。
Corrosion is a ring modulator designed to give your tracks grit and weird distortions, it has both internal and external modulation sources.
An alternative to Ableton’s Erosion.
Ring modulator, distortion weird sounds.
Corrosion is an audio effect brought to you by the collaboration between The Buildzer and HoRNet Plugins.
The idea behind the plugin is to give you something that can create distorted, corroded sounds. Something that you can use to add grit to smooth basses or synth sounds, but it’s also fun to use on drum loops to enhance snare drums or to create “thumpy” and “noisey” kick sounds. Corrosion is based on a very simple processing, called ring modulation, that gives amazing results: take a synthesized source (white noise, sine, saw or square, wave) filter it (with low pass, band pass or high pass) and use it to modulate the input sound. This process creates what’s called “intermodulation distortion” (the effect on which is build an FM synthesiser for example). Modulating one signal with another creates many harmonics that enrich the original sound and, if the modulator and the carrier are not in tune, create dissonant metallic distortion. We decided to let you use white noise, sine, saw, or square wave to let you have this heavy noisey, thumpy distortion that it’s so cool on synth bass.
Filtering the modulator with a simple filter would have been boring, so we have chosen a resonant filter that allows you to “tune” the modulator on a specific frequency to give you the chance to create harmonic resonation with your original sound, and if your sound varies, you can enable the “track pitch” feature that tunes the filter or the modulator to the fundamental frequency of your sound and follows any pitch variation, a unique feature that no other ring modulators has.
Corrosion’s audio path also features analog saturation, if you enable it and you drive it hard you can hear it distort your signal like a transistor would do, try it with a drum loop and drive it hard, you’ll be amazed at how fat you can make it using saturation and modulation together. Of course on Corrosion you find the usual input, output and bypass controls.
To make the ring modulator even more fun you can also use an external audio input as modulator source, not just a sinthesized one, take one audio track and use it to modulate another one.
Features
– Ring modulation that creates intermodulation distortion
– Modulator sources: noise, stereo noise, sine, saw, square wave, external input • Resonant low pass, band pass and high pass filters for the modulator
– Analog saturation across the signal path
– “Track pitch” feature that automatically tunes the filter
– Input, output and bypass controls
– X,Y trackpad to allow easy filter manipulation
– macOS (10.11 and later) and Windows (Vista an later) support.
64-bit compatibility both on Mac and Windows.
– Audio Units VST2.4, VST3 and AAX format.
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