[75种民族乐器音源]Marcos Ciscar Terra Incognita [KONTAKT]（4.57GB）

P2P | 12 April 2025 | 4.57 GB

Terra Incognita 拥有超过 75 种乐器和音源，加上多年的制作时间，是迄今为止 Marcos Ciscar Sampled Instruments 中最雄心勃勃的样本库。在这里，您将进入一个属于自己的世界，其中融合了稀有和更传统的乐器，所有乐器都以西班牙时期的前风格演奏，灵感来自古代文明和热带雨林。本地长笛、世界乐器、石头、鼓、人声、环境合成器和空灵的声音，与来自法属圭亚那、哥斯达黎加和欧洲的自然声音相得益彰。

这里的许多乐器都是稀有的，手工制作的，如果有的话，不经常采样。

嗯，首先，这是我创造的 Sound World。一开始，这是一个无意识的过程。我收集并采样了我喜欢的声音。

然后，它变成了一个专辑项目和一个样本库的开发。我打算在未来进一步扩展和发展的声音收藏。这两个项目相互促进。一些声音是在考虑这两个项目的情况下录制的。其他的则从专辑中取出并开发成样本。

还有一些是作为专辑中使用的样本开始的。

Terra incognita 包含大部分此版本独有的样本，但为了使其更加完整和独立，我添加了一些来自 Marcos Ciscar Sampled Instruments 的当前和已停产
产品的其他声音。这可以是完整的乐器，也可以只是用作全新声音的声源的样本。他们出现在这里，适应了 Terra incognita 的声音美学。

这里的许多乐器都是稀有的，手工制作的（在某些情况下特别适合我），而且不经常采样，如果有的话。这个图书馆是您获得独特乐器和录音收藏的门票，这些乐器和录音与原始表演相得益彰，使其非常独特。

所有演示均使用 Terra Incognita 作为唯一的声源创建。

– 录音格式：24 位 44.1KHz 或 96KHz
– 麦克风：Neumann、Shure、Rode、ADK、Violet Designs、Line Audio、Zoom、Sony
– 脉冲响应：来自经典录音室单元的 10 个自定义混响 IR

133 个预设，带有鼓舞人心的专用 GUI。

这些乐器分为以下几类：

– BLW – 吹奏乐器
– BOW – 此库中使用琴弓演奏的乐器
– DRM – 各种鼓和打击乐器
– FLT – 长笛，包括罕见和更常见的，但都带有特殊触感
– MET – 金属乐器
– ORG – 风琴，在本例中为教堂风琴
– PLK – 拨弦乐器
– SFX – 音效，包括自然声音和其他来源的声音
– SYN – 各种合成声音，主要是打击垫
– WND – 木管乐器
– VOX – 人声：歌唱、低语、音效、自创语言、感叹词、仪式等。

一些预设的名称中会添加这些缩写：
– MW – 使用调制轮访问声音的其他方面
– C6 – 按下 C6 键可启动附加声音。再次按下可结束该声音。此功能通常与“MW”组合使用，这意味着附加声音的音量由调制轮控制。

需要 Kontakt v5.8.1 或更高版本的完整版本！

With over 75 instruments and sound sources plus years in the making, Terra Incognita is by far the most ambitious sample library from Marcos Ciscar Sampled Instruments. Here, you enter a world of its own with a blend of both rare and more traditional instruments all performed with a pre-hispanic touch inspired by ancient civilizations and the rainforest. Native flutes, world music instruments, stones, drums, human voices, ambient synths and ethereal sounds complemented with nature sounds from French Guiana, Costa Rica and Europe.

Many of the instruments here are rare, hand built and not often sampled, if at all.

Well, first and foremost it is a sound world that I’ve created. In the beginning, it was an unconscious process. I collected and sampled sounds that I liked.

Then, it turned into both an album project and the development of a sample library. A sound collection that I intend to expand and develop further on in the future. Both projects fertilize each other. Some sounds were recorded with both projects in mind. Others were taken out from the album and developed into samples.

Yet others started out as samples being used on the album.

Terra incognita contains mostly samples that are exclusive for this release but to make it more complete and standalone I’ve added some other sounds from both current and discontinued
products from Marcos Ciscar Sampled Instruments. This could be complete instruments or just samples used as sound sources for completely new sounds. They appear here adjusted to the sound aesthetics of Terra incognita.

Many of the instruments here are rare, hand built (in some cases especially for me), and not often sampled, if at all. This library is your ticket to a unique collection of instruments and recordings that pared with original performances make it very distinct.

All demos were created using Terra Incognita as the only sound source.

– Recording format: 24-bit 44.1KHz or 96KHz
– Microphones: Neumann, Shure, Rode, ADK, Violet Designs, Line Audio, Zoom, Sony
– Impulse Responses: 10 custom reverb IRs from classic studio units

133 presets with an inspiring, dedicated GUI.

The instruments are grouped into the following categories:
– BLW – Blown instruments
– BOW – Instruments performed with a bow on this library
– DRM – Various drum and percussion instruments
– FLT – Flutes, both rare and more common but all with a special touch
– MET – Metallic instruments
– ORG – Organ, in this case a church organ
– PLK – Plucked instruments
– SFX – Sound effects, both nature sounds and sounds from other sources
– SYN – Various synthesized sounds, mostly pads
– WND – Woodwinds
– VOX – Human voices: Singing, whispering, SFX, invented language exclamations, rituals etc

Some presets will have these abbreviations added to their names:
– MW – Use the modulation wheel to access other aspects of the sound
– C6 – Press the note C6 to start an additional sound. Press it again to end that sound. This function is often combined with “MW” meaning that the volume of that additional sound is controlled by the Modulation Wheel