[中国京剧打击乐戏鼓]Best Service Peking Opera Percussion [Engine 2](2.96GB)

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[Engine 2采样器全套]Best Service Engine 2 v2.8.1.60+30个音色库+安装教程[WiN, MacOSX](450GB)
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Team MAGNETRiXX | 10 September 2013 | 2.96 GB

鼓和打击乐器

继古筝成功之后,京剧打击乐是我们中国开发团队开发的第二款虚拟乐器,我们致力于以极大的热情虚拟再现中国传统乐器。

京剧打击乐库汇集了中国传统戏曲中使用的高品质鼓和打击乐器,尤其以中国文化瑰宝之一的京剧和被誉为“百戏之师”或“百戏之母”的昆曲最为常见。库中还收录了当代中国音乐中常用的其他打击乐器,例如一面用于独奏和重奏的4英尺高的鼓,以及各种锣和钹。甚至连曾侯乙墓中发现的独一无二的编钟也包含在内。编钟是一种古老的中国乐器,可追溯到公元前433年,由几口悬挂在木框中的铜钟组成,并用木槌敲击。
与《黄河之声》古筝一样,《京剧打击乐库》也由中国本土制作人采用一流的采样、编辑和编程技术制作而成,他们对自身文化有着深刻的理解,并致力于展现中国乐器的真正魅力。
为了帮助您融入中国戏曲的节奏模式,我们提供了许多可播放的MIDI模板。

主要特点

  • 3GB 样本库,44.1kHz 24bit。
  • 包含大多数中国打击乐器
  • 包含 Midi 凹槽
  • 2 个麦克风位置,带干/湿控制
  • 由最佳服务“引擎”驱动

概念

YRS 京剧打击乐包含四类音阶:京打、鼓、钟、钹/锣。我们采样了中国打击乐中最常用的技法,部分音阶甚至拥有高达 16 个力度等级,从而呈现绝对细腻、充满活力的
演奏。

屏幕布局

大多数图层都有其独特的屏幕布局。您将在聆听真实乐器的同时,了解它们的真实样貌。在某些图层上,实际演奏的单个乐器将被高亮显示。这将帮助您熟悉中国打击乐。
滚动淡入淡出
鼓层包含滚动淡入淡出映射,可通过 CC1 控制。此功能对于重现逼真的渐强效果非常有用。
近距离麦克风和房间麦克风
所有图层均包含近距离麦克风和房间麦克风采样。您可以使用干/湿控制来调整它们之间的平衡。

仪器

  • 京达– 本文件夹包含2套京剧打击乐,包括板鼓、板、木鱼、锣、钹,MIDI文件:下段为作曲家张健创作的新旋律,上段为传统旋律,包含各种前奏和尾奏,可用于重现京剧场景。
  • 静达文– 这套打击乐器音调较低,常用于非动作类型的场景。
  • 吴京达– 这套打击乐器音调较高,主要用于动作、打斗或类似的场景。

  • 伟峰鼓——一套流行的中国鼓,当地人用它来娱乐,例如在典礼、节日或下班后消遣。晚上,你可能会在街上听到这些鼓的节奏,老年人或中年人会跟着它跳舞。
  • 鼓组– 完整的鼓组包括此文件夹中的所有样本,包括独奏和合奏。
  • 独奏鼓——一架四英尺高的中国大鼓,由一人演奏。鼓面有三种击打位置,包括鼓槌(左右)、鼓边(左右)、双击/三击以及静音。
  • 江鼓五人组 – 大型鼓组,由五人演奏。鼓面有两组打击位置,另加鼓槌、鼓边(快鼓和慢鼓)、双击/三击以及静音功能。
  • 花盆鼓独奏– 小型中国鼓,形似花盆,由一名演奏者演奏。鼓面有三种敲击位置,此外还有敲击鼓棒、鼓边、双击/三击以及静音(左击和右击)。
  • Huapengu 5P – Huapen 鼓组,由五名演奏者组成。鼓面有两组打击位置,此外还有鼓槌、鼓边(快鼓和慢鼓)、双击/三击以及静音功能。
  • Pigu – 一组小鼓,共12个,包括一个shot和roll crossfade。

钟声

  • 编钟——这是中国古代礼乐和宫廷音乐中的重要乐器。我们采样的是曾侯乙编钟的复制品,该编钟于20世纪70年代出土,至今已有2000多年的历史。编钟共有三排,不同排上的钟音相同,因此音色各异。
  • – 一组小钟类打击乐器。

钹和锣

  • – 包含 4 个不同大小和音高的锣
  • 铙钹 Cha – 包括 2 个不同尺寸的铙钹。
  • Cymbal Naobo – 2 个不同尺寸的钹。
  •  其他– 来自中国不同地区的各种锣。
  • 云锣– 小型锣组,每个锣都有固定的音高。可用于演奏旋律线,配有两种鼓槌。
  • 十面锣– 一组摆放在木架上的锣,共有10个不同音调的锣。它们主要用于营造热闹的氛围。

致谢

  • 制片人:张健
  • 执行制片人:马菁
  • 鼓/敲击乐手:王懿东/王俊及其团队
  • 录音师:曹萌/姜松松
  • 编辑:张健、马静
  • MIDI演示:张健
  • 平面设计:丁菁

Drum and percussion instruments

After the success of Gu Zheng, Peking Opera Percussion is the second virtual instrument of our Chinese developer team, who specialized on virtually reproducing traditional Chinese instruments with great passion.

Peking Opera Percussion is a collection of high quality drum and percussion instruments used in traditional Chinese Opera, especially the Peking Opera, one of the cultural treasures of China, and Kunqu Opera, known as the „teacher“ or „mother“ of a hundred operas. The library also includes other percussion instruments commonly used in contemporary Chinese music, such as a 4 feet high drum, played in solo and ensemble performances, various gongs and cymbals. Even the unique Bianzhong that was found in the tomb of Marquis Yi of Zeng was included. It is an ancient Chinese instrument dating back to 433 BC that consists of a several bronze bells, hung in a wooden frame and struck with a mallet.
Like Yellow River Sounds Gu Zheng, Peking Opera Percussion was produced using top notch sampling, editing and programming, by local Chinese producers, who have a natural understanding of their culture and a sole passion to express the true quality of Chinese instruments.
To help you find your way into the rhythm patterns of Chinese opera we included many playable midi templates.

Key features

  • 3GB sample library, at 44.1kHz 24bit.
  • Most Chinese percussion instruments included
  • Midi grooves included
  • 2 microphone positions with dry/wet control
  • Powered by Best Service “Engine”

Concept

YRS Peking Opera Percussion includes layers in four categories: Jingda, Drum, Bell, Cymbal/Gong. We sampled the most often used articulations in Chinese percussion, some layers with up to 16 velocity levels; allowing absolutely detailed and dynamic performances.

Screen layouts

Most of the layers have their unique screen layout. You will learn how the real instruments look like; while listening to their sound. On some layers, the individual instrument that is actually playing will be highlighted. This will help you to familiarize with the Chinese percussions.
Roll crossfade
Drum layers include a roll crossfade mapping, which can be controlled via CC1. This is a useful feature for reproducing a realistic crescendo.
Close Mic and Room Mic
All layers have close mic and room mic samples. You can use the dry/wet control to adjust the balance between them.

Instruments

  • Jingda – This folder contains 2 sets of Peking Opera Percussion which include Bangu, Ban, Muyu, Gong, Cymbal, MIDI files: The lower sections are new grooves made by composer Zhang Jian, the higher sections are traditional grooves, including various intros and endings, which can be used to reproduce the Peking Opera scene.
  • Jingda Wen – This percussion set is lower in pitch, which is commonly used in non-action type scenes.
  • Jingda Wu – This percussion set is higher in pitch, which is mainly used for action, fights or similar scenes.

Drums

  • Weifeng Kit – A popular Chinese drum set for local people‘s amusement, such as ceremonies, holidays, or just for after-work entertainment. You may hear these grooves on the streets in the evening, while old or mid age people dance to it.
  • Drum Set – Full drum set including all the samples in this folder, both solo & ensemble.
  • Jiangu Solo – A big, 4 feet tall Chinese drum, played by one player. It has 3 hit positions on the drum skin, plus stick (left & right), rim (left & right), double/triple hits and mute.
  • Jiangu 5P – Big drum ensemble, played by 5 people. It has 2 hit positions on the drum skin, plus stick, rim (fast & slow), double/triple hits and mute.
  • Huapengu Solo – Smaller Chinese drum with a flowerpot shape, played by one player. It has 3 hit positions on the drum skin, plus stick, rim, double/triple hits and mute (left & right).
  • Huapengu 5P – Huapen drum ensemble, played by 5 players. It has 2 hit positions on the drum skin, plus stick, rim (fast & slow), double/ triple hits and mute.
  • Pigu – One set of small drums, a total of 12 pieces, including one shot and roll crossfade.

Bells

  • Bianzhong – This is an important instrument in ancient China‘s ritual and court music. What we sampled is a replica of the original Bianzhong, Marquis Yi of Zeng, which was excavated in the 1970s and has a history of more than 2000 years. Bianzhong has 3 rows, with some bells having the same pitch on different rows, so they differ in tone.
  • Qing – One set of small bell type percussions.

Cymbal & Gong

  • Gong Luo – Includes 4 gongs with various sizes and pitches
  • Cymbal Cha – Includes 2 cymbals with different sizes.
  • Cymbal Naobo – 2 different cymbals with different sizes.
  • Gongs Other – Various Gongs from several Chinese regions.
  • Yunluo – Small gong sets, with a fixed pitch for each gong. Can be used to play melody lines, with 2 kinds of drum sticks.
  • Shimianluo – Gong set placed on a wood rack, with 10 different gongs and varying pitches. They are mainly used to produce exciting atmospheres.

Credits

  • Producer: Zhang Jian
  • Executive Producer: Ma Jing
  • Drum/Perucssion Player: Wang Yi Dong/Wang Jun and team
  • Recording Engineer: Cao Meng/Jiang Song Song
  • Editing: Zhang Jian, Ma Jing
  • MIDI Demo: Zhang Jian
  • Graphic Design: Ding Jing

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