Ableton Live 11 Suite v11.3.25 R2R [WiN]（2.91Gb）

Ableton Live 11 Suite v11.3.25 Incl.Keygen-R2R WIN| 30 June 2024 | 2.91 GB

Live 是一款快速、流畅和灵活的音乐创作和表演软件。它带有效果器、乐器、声音和各种创意功能——制作任何类型的音乐所需的一切。

Live 11 中的部分新功能列表包括：
Comping：
Comping – Live 将音频或 MIDI 表演的多个通道组织成单独的片段。这些镜头中最好的部分可以拼接在一起，以获得最终结果。
链接轨道编辑 – 链接两个或多个轨道以同时编辑其内容。

MIDI 复音表达：
MPE 支持 – 为和弦中的每个音符添加弯曲、滑动和压力，添加微妙的表情变化，在和弦之间变形，并更轻松地创建不断变化的声音纹理。
表达式视图 – 编辑每个音符的音高、滑动和压力包络，以优化音乐中的表达式。
支持 MPE 的本机设备 – Wavetable、Sampler 和 Arpeggiator 已更新为支持 MPE。

新设备：
混合混响 – 结合了卷积和算法混响，可以创建任何空间，从准确的现实生活环境到无视物理现实的环境。
频谱谐振器 – 将输入音频信号的频谱分解为部分，然后以微妙或激进的方式按频率或音符拉伸、移动和模糊结果。
频谱时间 – 将声音转换为部分声音，并将它们馈送到基于频率的延迟中，从而产生金属回声、频移和类似混响的效果。
灵感来自自然 – 六种有趣的乐器和效果器，以自然和物理为灵感。与狄龙·巴斯坦（Dillon Bastan）合作制作。
PitchLoop89 – 创建抖动的故障效果、延迟的数字微光和古怪的颤音。与罗伯特·亨克（Robert Henke）合作制作。

舞台功能：
实时节奏跟随 – 实时收听并根据传入的音频调整其速度。
宏快照 – 存储宏的状态以供以后调用。
机架改进 – 机架可以配置为具有 1 到 16 个宏，只需按一下按钮即可随机化宏状态。

添加机会的工具：
音符机会 – 设置音符或击鼓发生的概率。
速度机会 – 定义动态中细微、人性化变化的速度概率范围。
改进的跟随动作 – 跟随动作现在可以链接到剪辑长度，设置为跳转到特定剪辑，并全局启用和禁用。场景跟随动作使不断演变的安排成为可能。

新声音：
Voice Box、Mood Reel 和 Drone Lab 是 Ableton 设计的包，每个包都探索特定声音调色板的频谱。
立式钢琴、铜管四重奏和弦乐四重奏是与Spitfire Audio合作创作的三款组合，以亲密的细节捕捉流行的管弦乐器组合。

对 Push
Live 11 的更改还为 Ableton 的 Push 硬件乐器带来了新功能：
新设备的可视化 – 在 Push 的彩色显示屏上查看混合混响、频谱谐振器和频谱时间中关键参数的可视化，并直接从硬件控制它们。
抠像和音阶同步 – Live 11 中的新抠像和音阶功能链接到推送，可以按剪辑进行更改。
复音触后支持 – 使用 Wavetable、Sampler 和 Arpeggiator 时，将不同级别的触后应用于单个音符，以便在 Push 上实现更细微和动态的表演。
查看多达 16 个宏 – 使用宏 1-8 从机架页面之后的第二页访问宏 1-16。

11.3.4 发行说明
– 错误修复：
自动变形改进：
改进了包含包含 .asd 文件的样本集以及包含采样乐器的包的加载速度。
修复了导致 Live 在浏览出厂包和加载多重采样乐器时挂起的 bug。
Push 3 – Bugfixes：
修复了使用热插拔模式后可下载或更新的包不可见的问题。
修复了导致在首次打开新的推送单元时或在某些情况下，在关闭独立模式下打开推送设备时显示 Live 崩溃消息的问题。
修复了在崩溃后尝试恢复介绍版演示集时导致 Live 挂起的 bug。
推送固件包已更新至版本 1.2.0（包括 XMOS 固件 1.0.69）：
在控制模式下使用 Push 时，当 Live 关闭时，Push 上会显示连接屏幕。
提高了使用低压时垫片的可靠性。
某些鼓敲击的双触发器现在被抑制。
修复了导致触控条卡住的问题。
修复了导致某些固件更新失败的 bug。
修复了连接 Push to Live 后导致速度曲线跳跃的 bug。
修复了导致非鼓 MPE 打击垫的双指击丢失的问题。
修复了外部 ADAT 时钟源在 macOS 上无法正常工作的问题。

Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features – everything you need to make any kind of music.

A partial list of what’s new in Live 11 includes:
Comping:
Comping – Live organizes multiple passes of an audio or MIDI performance into individual takes. The best parts of these takes can be stitched together for the final result.
Linked-track editing – Link two or more tracks to edit their content simultaneously.

MIDI Polyphonic Expression:
MPE support – Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.
Expression View – Edit the pitch, slide and pressure envelopes of each note to refine the expression in your music.
MPE-capable native devices – Wavetable, Sampler and Arpeggiator are updated to support MPE.

New devices:
Hybrid Reverb – Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality.
Spectral Resonator – Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways.
Spectral Time – Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects.
Inspired by Nature – Six playful instruments and effects that use nature and physics as their inspiration. Made in collaboration with Dillon Bastan.
PitchLoop89 – Creates jittery glitch effects, delayed digital shimmers and outlandish vibrato. Made in collaboration with Robert Henke.

Features for the stage:
Live Tempo Following – Live listens to and adjusts its tempo based on incoming audio in real time.
Macro Snapshots – Store the state of Macros for later recall.
Rack improvements – Racks can be configured to have between 1 and 16 Macros, Macro states can be randomized with the push of a button.

Tools to add chance:
Note chance – Sets the probability that a note or drum hit will occur.
Velocity chance – Defines ranges for velocity probability for subtle, humanized variations in dynamics.
Improved Follow Actions – Follow Actions can now be linked to the clip length, be set to jump to specific clips and be enabled and disabled globally. Scene Follow Actions make evolving arrangements possible.

New sounds:
Voice Box, Mood Reel and Drone Lab are Ableton-designed Packs that each explore the spectrum of a specific sound palette.
Upright Piano, Brass Quartet and String Quartet are three Packs created in collaboration with Spitfire Audio that capture popular orchestral instrument combinations in intimate detail.

Changes to Push
Live 11 also brings new functionality to Ableton’s Push hardware instrument:
Visualizations for new devices – See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push’s color display and control them directly from the hardware.
Key and Scale sync – The new Key and Scale feature in Live 11 is linked to Push and can be changed per clip.
Polyphonic aftertouch support – Apply different levels of aftertouch to individual notes when using Wavetable, Sampler, and Arpeggiator for more nuanced and dynamic performances on Push.
See up to 16 Macros – Access Macros 9-16 from a second page after the Rack page with Macros 1-8.

11.3.4 Release Notes
Live – Bugfixes:
Auto-Warp Improvements:
Improved the loading speed for Sets that contain samples which include .asd files, as well as for Packs that contain sampled instruments.
Fixed a bug that caused Live to hang when browsing factory packs and loading multisampled instruments.
Push 3 – Bugfixes:
Fixed an issue where Packs available for download or update were not visible after using the Hot-Swap Mode.
Fixed an issue that caused a message that Live crashed to appear when a new Push unit was first turned on or, in some cases, when turning on Push in Standalone Mode after shutting it down.
Fixed a bug that caused Live to hang when trying to recover an Intro edition demo Set after a crash.
Push firmware package was updated to version 1.2.0 (including XMOS firmware 1.0.69):
The connect screen is now displayed on Push when Live is closed when using Push in Control Mode.
Improved reliability of pads when using low pressure.
Double triggers on certain drum hits are now suppressed.
Fixed an issue that caused the touch strip to get stuck.
Fix a bug that caused some firmware update failures.
Fixed a bug that caused the velocity curve to jump after connecting Push to Live.
Fixed an issue that caused double finger hits of non-drum MPE pads to be lost.
Fixed an issue where the external ADAT clock source was not working on macOS.

Team R2R

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