Inphonik RX1200 v1.0.1 LiNUX WiN macOS RETAiL| 569 MB
真正传奇的声音 认识 RX1200,这是我们基于 E-mu SP-1200 的 12 位采样器,E-mu SP-1200 是由 Dave Rossum 设计并由 E-mu Systems 于 1987 年发布的具有里程碑意义的采样器。
SP-1200 具有用于对胖节拍进行排序的坚韧不拔的数字声音、使用 32 个采样槽构建乐句的能力,以及用于从黑胶唱片中高效捕获低音线的暖滤波器,是节拍制作的丰碑,为音乐制作人提供了巨大的新可能性。
我们很荣幸向您展示我们对一台开创性机器的看法,这台机器同样有助于现代音乐新风格的出现,将经典的节拍制作方法带入您的 DAW。
RX1200 是节拍制作者的沙盒工具。这是一款独一无二的采样器,随时准备通过实验、快乐的意外和可爱独特的 lofi 声音来激发您的作品。
VST、AU、AAX 插件(Win、Mac、Linux)
捕捉声音
RX1200 的核心是我们致力于忠实再现 SP-1200 的标志性声音。除了明显的 12 位分辨率、26.041 kHz 采样率和SSM2044低通滤波器仿真外,RX1200 还完美匹配了 SP-1200 的混叠下调谐。凭借其独特的砂砾、嘎吱声和温暖感,RX1200 将无与伦比的 12 位声音融入您的音乐中。
简化的界面
我们没有制作 SP-1200 的 1:1 副本,而是将 RX1200 设计为一种更直接的仪器,具有易于学习的曲线。
通过移除板载音序器,我们构建了音频插件的愿景,该插件可与任何 DAW 完美集成,并将样本性能置于创作过程的最前沿。
灵活的示例编辑器
如果不利用计算机鼠标,那就太可惜了。样本编辑器可以轻松地在 4 组 8 个打击垫中浏览、截断、归一化、反转、循环和分配您的声音。这是一种高效且直观的方式,可以制作自己的预设来构建凹槽。
准备玩
RX1200 包含 900+ 个样本的工厂集合,内置于 50 个预设中,开箱即用。
工厂系列包含 122 个底鼓、139 个军鼓、169 个踩镲、47 个嗵鼓、32 个钹、120 个percs、50 个 FX、32 个贝斯、41 个键、151 个切片和 33 个其他。
在接下来的几个月里,将定期添加一系列按主题排序的新免费收藏,以扩展您的 RX1200 体验。
独特的 1200 lofi 声音
为了节省采样内存,SP-1200 用户经常以 45 RPM 的速度采样 33 RPM 唱片,然后在 SP-1200 上调低采样以恢复原始速度。这种技术使采样时间增加了一倍,但降低了音质。令人惊讶的是,这种改变的声音在嘻哈制作人中流行起来,90 年代的许多畅销唱片都使用了 SP-1200。
忠实于原始功能
12 位 / 26.041 kHz 声音处理
32 个采样槽
调谐/衰减/混音设置
8 个可分配输出
可切换的 4 极谐振SSM2044低通滤波器
输入放大器级建模
扩展功能
不受样品长度
限制 音符组和复音
的输出通道设置 立体声和单声道采样播放 混音模式
下的
平移旋钮 非破坏性可视化样本编辑器
半音阶播放模式
可用性
适用于 Windows 的 64 位 VST2、VST3、64 位 AAX 插件(8 及更高版本)
适用于 macOS 的 64 位 VST2、VST3、AU、AAX 插件(Intel 和 Apple Silicon M1/M2,10.11 及更高版本)
64 位 VST2、VST3 for Linux
机架扩展(适用于 Windows 和 macOS 的 10.1 及更高版本)
所需磁盘空间:约 300 Mb。
The sound of a true legend
Meet the RX1200, our 12-bit sampler instrument based on the E-mu SP-1200, a landmark sampler designed by Dave Rossum and released by E-mu Systems in 1987.
With its gritty digital sound for sequencing fat beats, the ability to build musical phrases with 32 sample slots, and its warm filters for efficiently capturing bass lines from vinyl, the SP-1200 is a monument to beatmaking that gave music producers huge new possibilities.
We are honored to show you our take on a groundbreaking machine that no less helped the emergence of new styles of modern music, bringing the classic approach to beatmaking into your DAW.
The RX1200 is a beatmaker’s sandbox tool. It’s a one-of-a-kind sampler ready to inspire your productions with experimentation, happy accidents, and that lovely distinctive lofi sound.
VST, AU, AAX plug-in (Win, Mac, Linux)
Nailing that sound
At the heart of the RX1200 is our commitment to faithfully reproducing the signature sound of the SP-1200. Besides the obvious 12-bit resolution, the 26.041 kHz sample rate, and the SSM2044 low-pass filter emulation, the RX1200 perfectly matches the aliased down-pitch tuning that delivers the SP-1200. With its distinctive grit, crunch, and warmth, the RX1200 puts the inimitable 12-bit sound into your music.
A streamlined interface
Rather than making a 1:1 copy of the SP-1200, we’ve designed the RX1200 as a more straightforward instrument with an easy learning curve.
By removing the onboard sequencer, we’ve built our vision of an audio plug-in that integrates flawlessly with any DAW and puts sample performance at the forefront of your creative process.
A flexible sample editor
It would be a shame not to take advantage of your computer mouse. The sample editor makes it easy to browse, truncate, normalize, reverse, loop and assign your sounds across the 4 banks of 8 pads. It’s an efficient and intuitive way to craft your own presets for building your grooves.
Ready to play
Packed with a Factory Collection of 900+ samples built into 50 presets, the RX1200 is ready to perform out of the box.
The Factory Collection contains 122 kicks, 139 snares, 169 hi-hats, 47 toms, 32 cymbals, 120 percs, 50 FX, 32 bass, 41 keys, 151 slices, and 33 others.
In the next few months, a series of new free collections, sorted by theme, will be added regularly to expand your RX1200 experience.
The unique 1200 lofi sound
To save sampling memory, SP-1200 owners often sampled 33 RPM records at 45 RPM, and then tuned down the sample on the SP-1200 to restore the original speed. This technique doubled the sampling time but lowered the sound quality. Surprisingly, this altered sound became popular among hip hop producers and many best-selling records of the 90s used the SP-1200.
True to the original features
12-bit / 26.041 kHz sound processing
32 sample slots
Tune/decay/mix settings
8 assignable outputs
Switchable 4-pole resonant SSM2044 low-pass filter
Input amp stage modeling
Extended features
Unrestricted sample length
Output channel setting for note groups and polyphony
Stereo and mono sample playback
Panning knobs in Mix mode
Non-destructive visual sample editor
Chromatic play mode
Availability
64-bit VST2, VST3, 64-bit AAX plug-in for Windows (8 and higher)
64-bit VST2, VST3, AU, AAX plug-in for macOS (Intel & Apple Silicon M1/M2, 10.11 and higher)
64-bit VST2, VST3 for Linux
Rack Extension for Reason (10.1 and higher for Windows and macOS)
Disk space required: approx. 300 Mb.
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